Filme ”Greenwich Village”, de 1944, estrelado por Carmen Miranda, Don Ameche e William Bendix. Apresentando a nova estrela da Fox Vivian Blaine.
Este é o primeiro filme de Vivian Blaine em um papel importante, a ”Cherry-Blonde-Haired” da 20th Century Fox, apelido que recebeu por causa da cor do seu cabelo, extremamente vermelho nos filmes em Technicolor. Depois de quatro películas no estúdio como coadjuvante, ou em papéis menores, Vivian finalmente teve sua carreira impulsionada, ao atuar como protagonista no filme ”Ladrão que rouba ladrão” (Jitteburgs) de 1943, com Stan Laurel e Oliver Hardy. Desde então participou de vários musicais, atuando com grandes nomes como Dick Haymes, Dennis O’Keefe, June Haver, Perry Como, Phil Silvers, Joan Bennett, Vera-Ellen, entre outros. Em 1954, depois de uma jornada no cinema e grande sucesso na Broadway, Blaine teve a oportunidade de agradecer pelo empurrãozinho ao ‘Gordo e o Magro’ ao vivo, no programa ”This is your life”, exibido pela NBC. Vivian começou a filmar Greenwich Village depois de seu agente e em seguida marido (1945-1956) Manny Frank insistir com a Fox para que ela substituísse Betty Grable nos filmes. Betty, por sua vez, substituiria Alice Faye, que decidiu se afastar dos estúdios para cuidar de seus filhos e trabalhar com o marido Phil Harris em seu próprio programa de rádio: ”The Phil Harris-Alice Faye Show”. Serenata boêmia (título do filme no Brasil), apesar de algumas críticas ruins para Carmen Miranda nos jornais brasileiros da época, obteve um sucesso moderado no Brasil e um bom retorno nos Estados Unidos. Vivian fez mais três filmes com Carmen, sendo eles ”Alegria, rapazes!” (Something for the boys), ”Sonhos de estrela” (Doll Face) e ”Se eu fosse feliz” (If I’m lucky), saindo da Fox um ano antes do fim do seu contrato que seria de 1942 a 1947.
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"Moulin Rouge"
Amazing
I had no idea that New York city was 90% Native Europeans in 1940.
Such ethnic cleansing since then.
???
This movie is awesome.
1:19 ???
? ??
Pure Corn.
Apart from the duo at the start that danced 100% better than Astaire & Rogers
Loved the table top sequence.
I guess Danny's Den was like getting in Studio 54 in the 70's.
Don Ameche…so yummy…Love this movie. Thanks for the share
Wow!!! Who knew William Bendix had such great legs?
Carmon meranda ,is hot an her dance steps as well . Was looking forward to her banana head dress . Cool very cool . Some songs hit a person more than others . This one has a kick to it , why i don't know 1944. – 2019 familiar sound to it . Something about this one gets me. I like to be loved by you .
The 1920 song "Whispering" was not credited to the composer and lyricist John Schonberger. & famous people were not credited like Betty Comden and Irv Green, who were in an act.
Greenwich Village a world of "long haired men" and "short haired women" gee I wonder what that was supposed to imply LMAO!
Excellent!
THEY DON'T MAKE FILMS LIKE THIS NO MORE ❤❤?
Carmen Miranda with no undies! LOL They were the best B movie musicals. Don Ameche!
Historical accuracy in costuming was never Hollywood's strong suit, but PULEZE! 1944's off-the-rack for 1922?
I recommend "If I'm Lucky" (1946). This is the movie, in my opinion, funnier than Carmen. She makes an unemployed artist who gets involved with corrupt politicians.
52:45. That's a great scene man those guys could dance
I really enjoy the movie. Thank You so much!!!
Procura em dublado
The Technicolor was amazing, supervised by the great Natalie Kalmus (she also gave us the colors of GONE WITH THE WIND and THE WIZARD OF OZ, among dozens of other major films). One number that was cut in this film, "Baroness Bazooka," was written by Betty Comden and Adolph Green, who along with Judy Holiday was part of a Greenwich Village group called THE REVUERS. You can spot Green easily in the front row on the right at the end of the "Art for Art's Sake" number – he's the guy with the big toothy smile.
excellent pic and sound quality.
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