Author: womo

A physician, whose license has been revoked, poses as a practicing doctor aboard a train passing through Arizona. His presence there is part of a caper involving a fictitious patient, on whose behalf he gains access to his checked baggage, including his physician’s “black bag,” in the baggage car, whereupon he blows and then robs the safe. Then he arranges for both the fictitious patient, which he claims is infected with a communicable disease which poses an immediate and extremely serious public health risk, and himself to leave the train, presumably departing for the closest hospital, which is also far from any scheduled train stop, the two thereby escaping with $500,000 in an ambulance. The railroad officials do not discover the robbery until the train reaches Phoenix, many hours after their escape has been effected.

In response, the insurance company puts the protagonist, Charlie Norman, on the case, forcing him to postpone his previously scheduled vacation to Mexico. Joe Armstrong, an old friend who is the investigator for the railroad, works with him. Gradually evidence starts to turn up that the thieves ditched the ambulance and escaped in a rented helicopter. The scheme was thus elaborate, showing that the robbery had been carried out according to a strict timetable. But there was one misstep that kept it from being the perfect crime. As the investigators pursue this misstep, the intended timetable starts to unravel and the audience suddenly discovers who the secret mastermind is.

Finally, as the American and Mexican authorities begin to close in, the mastermind pulls his last clean-escape opportunity from his sleeve, only to have his well-intentioned wife pull a practical joke on him, in the process making a duplicate key to his locked attache case and substituting vacation travel magazines for his work papers only to discover that the robbery money is in his case, which she immediately returns, anonymously, to the railroad, thereby completely foiling what had started out to be “the perfect crime.”

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Directed by Mark Stevens, produced by Mark Stevens, written by Aben Kandel (screenplay) and Robert Angus (story), starring Mark Stevens as Charlie Norman, King Calder as Joe Armstrong, Felicia Farr as Linda Brucker, Marianne Stewart as Ruth Norman, Wesley Addy as Dr. Paul Brucker, Alan Reed as Al Wolfe, Rodolfo Hoyos Jr. as Lt. Castro, Jack Klugman as Frankie Page and John Marley as Bobik

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Source: “Time Table (film)” Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc.. 17 November 2013. Web. 12 March 2013. http://en.wikipedia.org/wiki/Time_Table_(film).

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“The Amazing Mr. X”, also known as “The Spiritualist”, is a film noir directed by Bernard Vorhaus with cinematography by John Alton. Like “Nightmare Alley” (1947), this film tells the story of a phony spiritualist racket. The film is prominently featured in Alton’s book on cinematography “Painting with Light” (1949). The film stars Turhan Bey, Lynn Bari, Cathy O’Donnell, and Richard Carlson. Eagle-Lion Films signed a contract with Carole Landis for the part played by Bari, but Landis committed suicide a few days before shooting began.

Two years after her husband’s death, Christine Faber (Lynn Bari) thinks she hears her late husband (Donald Curtis) calling out of the surf on the beach one night. She meets a tall dark man named Alexis (Turhan Bey) who seems to know all about her. After more ghostly manifestations, Christine and her younger sister (Cathy O’Donnell) become enmeshed in the strange life of Alexis; but he in turn finds himself manipulated into deeper cruelness than he had in mind.

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Directed by Bernard Vorhaus, produced by Benjamin Stoloff, written by Crane Wilbur, Muriel Roy Bolton and Ian McLellan Hunter, starring Turhan Bey, Lynn Bari, Cathy O’Donnell, and Richard Carlson.

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Source: “The Amazing Mr. X” Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc.. 10 January 2013. Web. 12 March 2013. http://en.wikipedia.org/wiki/The_Amazing_Mr._X.

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A flashback shows how Ellen met George in a naval hospital during World War II while she was dating his friend, Lieutenant Ranney Grahame (Bruce Cowling), a young military doctor whose busy schedule left little time for her. George was a pilot and Ellen swiftly fell in love with him, although the flashback strongly hints he had some capacity for arrogance and selfishness. Nevertheless, they soon married and after the war wound up in a leafy suburban Los Angeles neighbourhood. Unhappily, George is now confined to his bed with heart problems, there is a heat wave and Ellen is spending most her time caring for him. George’s doctor is their old friend Ranney, with whom George thinks his wife is having an affair. In response, Ranney suggests George may need psychological help. After Ellen tells her bedridden husband she dreams of having children, he becomes angry. Meanwhile George has written a letter to the district attorney in which he claims his wife and best friend are killing him with overdoses of medicine for his heart.

A little neighbour boy dressed as a movie cowboy and warding cap pistols (Bradley Mora) befriends the childless Ellen, who gives him cookies. He hands her a toy (fake) television set and asks Ellen to give it to George, which she does whilst serving her husband lunch in bed. He tells her an unsettling story about how as a child he had beaten a neighbour boy with a rake until he drew blood. Thinking the thick letter has something to do with insurance, Ellen gives it to the postman (Irving Bacon), who sees George in the upstairs bedroom window. When Ellen rushes up to find out why he has gotten out of bed, George lets her know what the letter says and who it is addressed to. George pulls a gun and is about to kill her when he drops dead on the bed. In her narration she describes George’s death as “one of those awful dreams.” Ellen panics over the letter and as noted by a reviewer over 50 years later, throughout the film’s second half seems “much more concerned with absolving herself from the blame of his death than missing her spouse.” Running from the house and shown the way by two teenagers in the film’s brief reference to Los Angeles’ mid-twentieth century jalopy culture, she chases down the overly talkative postman to whom she gave the letter but he won’t give it back to her without talking to George first, since he wrote it. However, the postman says she can ask the supervisor at the downtown post office, who has more authority. Ellen is frantic when she gets back to the house, only to find George’s Aunt Clara (Margalo Gillmore) climbing the stairs to see him and stops her barely in time. After the two talk for a while, Clara again heads up the stairs but Ellen stops her once more, saying George told her earlier not to let his aunt see him. Clara leaves in a huff, telling her George was “rude, mean and selfish since he’s been six… he’s worse if anything.”

Ellen goes back up to the bedroom to change her clothes and sees the gun still in George’s hand, narrating, “Somehow I knew I shouldn’t leave it there.” As she wrenches the pistol from his hand, it fires. Readying herself to leave the house, a polite but somewhat aggressive notary (Don Haggerty) rings the doorbell, telling her he has an appointment with George to go over some legal documents. She steadfastly says George is too sick to see anyone. Ellen desperately drives downtown to the post office to see the supervisor, who is friendly and gives her a form for George to sign but then, nettled by Ellen’s unhinged and uncooperative behaviour, tells her he is going to allow the letter to be delivered. Defeated, she returns to the house and as she gets to the front door, a kindly neighbour woman (Georgia Backus) offers to help Ellen, since she has seemed so upset all day…

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Directed by Tay Garnett, produced by Tom Lewis, written by Larry Marcus, screenplay by Mel Dinelli and Tom Lewis, starring Loretta Young as Ellen Jones, Barry Sullivan as George Z. Jones, Bruce Cowling as Dr. Ranney Grahame, Margalo Gillmore as aunt Clara Edwards, Bradley Mora as Hoppy (Billy), Irving Bacon as Joe Carston (the postman), Georgia Backus as Mrs. Warren (the neighbor), Don Haggerty as Mr. Russell (the notary), Art Baker as the post office superintendent and Richard Anderson as the wounded sailor at a naval hospital.

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Source: “Cause for Alarm!” Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc.. 6 March 2012. Web. 11 March 2012. http://en.wikipedia.org/wiki/Cause_for_Alarm!

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Just released from prison, John Muller (Paul Henreid) masterminds a holdup at an illegal casino run by Rocky Stansyck. The robbery goes bad, and the mobsters captured some of Muller’s men and force them to identify the rest before killing them. Stansyck has a reputation for tracking down and killing his enemies, no matter how long it takes, so Muller decides to leave town and hide. He takes an office job recommended by his law-abiding brother, Frederick (Eduard Franz), but quickly decides that working for a living is not for him. A chance encounter with dentist Dr. Swangron (John Qualen) reveals that Muller looks exactly like a psychoanalyst who works in the same building, Dr. Bartok, the only difference being a large scar on the left side of the doctor’s face. Seizing the opportunity, he begins researching Bartok, even slipping into his office to examine his records. He is discovered by the doctor’s secretary, Evelyn Hahn (Joan Bennett). She mistakes him for her employer and kisses him, but quickly realizes he is someone else. He persuades her to go out with him, though she has become embittered and claims to have given up any dreams of finding love.

Muller sets out to impersonate Bartok, aided by the fact he studied psychoanalysis in medical school before dropping out. He takes a photograph of the doctor and uses it as a guide to cut an identical scar on his own face. Unfortunately, the developers of the photograph reversed the negative, so now Muller has the scar on the wrong side. He discovers the mistake only after he has already murdered Bartok and is preparing to dump the body in the river. He has no choice but to go through with the plan anyway. Luckily, no one (except the office cleaning lady, whose suspicions he manages to lull) notices the difference, not even Evelyn or Bartok’s patients. Muller discovers “he” has a girlfriend, Virginia Taylor (Leslie Brooks), and that they frequent Maxwell’s, a high class casino. It also turns out Bartok has been losing heavily. When a worried Frederick Muller tries to contact his brother, the trail leads to Bartok. The scar convinces Frederick that the man he sees is merely a lookalike. Evelyn, previously unaware of the switch (but now very suspicious), reveals that John Muller said he was going to Paris. Frederick Muller tells “Bartok” that his brother no longer has to hide; Stansyck was convicted for “income tax problems” and is scheduled to be deported.

Afterward, Evelyn realizes that Muller is an imposter and that he must have killed the psychoanalyst. Though he admits to her he did, she does not turn him in to the police; instead she purchases a ticket to sail to Honolulu. Muller finds out and promises he will go with her, but she does not believe he would leave such an opportunity to enrich himself. Muller arranges for other doctors to take over his patients and heads to the dock. There, however, he is intercepted by two men who want to discuss Bartok’s $90,000 gambling debt. When Muller tries to break away, they fatally shoot him. Evelyn sails away, unaware that Muller lies dying on the dock.

This movie is also known as “Hollow Triumph”.

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Directed by Steve Sekely, produced by Paul Henreid, written by Murray Forbes (novel) and Daniel Fuchs, starring Paul Henreid as John Muller & Dr. Victor Emil Bartok, Joan Bennett as Evelyn Hahn, Eduard Franz as Frederick Muller, Leslie Brooks as Virginia Taylor, John Qualen as Swangron, Mabel Paige as Charwoman, the only person to notice the scar on the wrong side, Herbert Rudley as Marcy, Charles Arnt as Coblenz, George Chandler as Artell, Assistant, Sid Tomack as Aubrey, Manager, Alvin Hammer as Jerry, Ann Staunton as Blonde, Paul E. Burns as Harold, Charles Trowbridge as Deputy, Morgan Farley as Howard Anderson.

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Source: “Hollow Triumph” Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc.. 26 February 2012. Web. 02 September 2012. http://en.wikipedia.org/wiki/Hollow_Triumph.

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The film begins with what a BBC reviewer called “perhaps one of cinema’s most innovative opening sequences.” The scene is a long, behind-the-back tracking sequence featuring Frank Bigelow (Edmond O’Brien) walking through the hallway of a police station to report his own murder. Oddly, the police almost seem to have been expecting him and already know who he is. A flashback begins with Bigelow in his hometown of Banning, California where he is an accountant and notary public. He decides to take a one-week vacation in San Francisco, but this does not sit well with Paula Gibson (Pamela Britton), his confidential secretary and girlfriend, as he does not want her to accompany him.

Bigelow accompanies a group from a sales convention on a night on the town. At a “jive” nightclub called “The Fisherman”, unnoticed by Bigelow, a stranger swaps his drink for another. The nightclub scene includes one of the earliest depictions of the Beat subculture. The next morning, Bigelow feels ill. He visits a doctor, where tests reveal he swallowed a “luminous toxin” for which there is no antidote. A second opinion confirms the grim diagnosis, and the other doctor implies that the poisoning must have been deliberate. Bigelow remembers his drink tasted strange. With a few days to live at most, Bigelow sets out to untangle the events behind his impending death, interrupted occasionally by phone calls from Paula. She provides the first clue: a man named Eugene Philips had tried to contact him, but died the previous day, purportedly a suicide. Bigelow travels to Philips’ import-export company in Los Angeles, first meeting Miss Foster (Beverly Garland) (whose on-screen credit reads “Beverly Campbell”), the secretary, then Mr Halliday (William Ching), the company’s comptroller, who tells him Eugene Philips committed suicide. From there the trail leads to Philips’ widow (Lynn Baggett) and brother Stanley (Henry Hart).

The key to the mystery is a bill of sale for what turns out to be stolen iridium. Bigelow had notarized the document for Eugene Philips six months earlier. He connects Philips’ mistress, Marla Rakubian (Laurette Luez), to gangsters led by Majak (Luther Adler). They capture Bigelow. Since Bigelow has learned too much, Majak orders his psychotic henchman Chester (Neville Brand) to kill him. However, Bigelow manages to escape. Bigelow thinks Stanley and Miss Foster are his killers but when he confronts them, he finds Stanley has been poisoned too – after having dinner with Mrs. Philips. He tells them to call an ambulance and what poison has been ingested so that, in Stanley’s case at least, prompt treatment may save his life. Stanley tells Bigelow he found evidence that Halliday and Mrs. Philips were having an affair. Bigelow realizes that the theft was merely a diversion. Eugene discovered the affair and Halliday killed him.

Halliday and Mrs. Philips used the investigation of the iridium as a cover for their crime, making it seem that Eugene Philips had killed himself out of shame. However, when they discovered that there was evidence of his innocence in the notarized bill of sale, Halliday murdered anyone who had knowledge of the bill of sale. Bigelow tracks Halliday down and shoots him to death in an exchange of gunfire. The flashback comes to an end. Bigelow finishes telling his story at the police station and dies, his last word being “Paula.” The police detective taking down the report instructs that his file be marked “D.O.A.”

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Directed by Rudolph Maté, produced by Leo C. Popkin, written by Russell Rouse and Clarence Greene, starring Edmond O’Brien as Frank Bigelow, Pamela Britton as Paula Gibson, Luther Adler as Majak, Lynn Baggett as Mrs. Philips, William Ching as Halliday, Henry Hart as Stanley Philips, Beverly Garland as Miss Foster, Neville Brand as Chester, Laurette Luez as Marla Rakubian and Virginia Lee as Jeannie.

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Source: “D.O.A. (1950 film)” Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc.. 9 March 2013. Web. 11 March 2013. http://en.wikipedia.org/wiki/D.O.A._(1950_film).

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