The Man With the Golden Arm (1955) [Drama] [Romance]



Frankie Machine (Frank Sinatra) is released from prison with a set of drums and a new outlook on life, and returns to his run-down neighborhood on the North Side of Chicago. A drug addict (the drug is never named, but heroin is strongly implied), Frankie became clean in prison. On the outside, he greets friends and acquaintances. Sparrow (Arnold Stang), who runs a con selling homeless dogs, clings to him like a young brother, but Schwiefka (Robert Strauss), whom Frankie used to deal for in his illegal card game, has more sinister reasons for welcoming him back, as does Louie (Darren McGavin), Machine’s former drug dealer.

Frankie returns home to his wife Zosh (Eleanor Parker), who is supposedly wheelchair-bound after a car crash some years earlier that was caused by Frankie driving drunk. Zosh is secretly fully recovered, but pretends to be unable to walk in order to keep making Frankie feel guilty so he will stay with her. Frankie comments on the whistle she wears around her neck, a device she used in Frankie’s absence to summon a neighbor, Vi (Doro Merande), when needed. With Frankie home, Zosh smothers her husband in their small tenement apartment and hinders his attempt to make something of himself. He thinks he has what it takes to play drums for a big band. While calling to make an appointment, he bumps into an old flame, Molly (Kim Novak) who works in a local strip joint as a hostess and lives in the apartment below Frankie’s. Unlike Zosh, Molly encourages his dream of becoming a drummer.

Frankie soon gets himself a tryout and asks Sparrow to get him a new suit, but the suit is a stolen one and he ends up back in a cell at a local Chicago Police Precinct. Schwiefka offers to pay the bail. Frankie refuses, but soon changes his mind when the sight of a drug addict on the edge becomes too much for him. Now, to repay the debt, he must deal cards for Schwiefka again. Louie is trying to hook him on drugs again, and with no job and Zosh to please, pressure is building from all directions.

Soon Frankie succumbs and is back on drugs and dealing marathon, all-night, card games for Schwiefka. Molly sees he is using drugs again and runs away from him. He gets a tryout as a drummer, but spends 24 hours straight dealing a poker game. Desperately needing a fix, Frankie follows Louie home, attacks him, and ransacks his house, but can’t find his drug stash. At the audition, with withdrawal coming on, Frankie can’t keep the beat and ruins his chance of landing the drumming job. When Louie goes to see Zosh to try to find Frankie, Louie discovers that Zosh has been faking her paralysis and can walk. Zosh, scared of being found out, pushes Louie over the railing of the stairwell to his death, but things backfire when Frankie is sought for Louie’s murder….

Directed ans produced by Otto Preminger, screenplay by Walter Newman, Lewis Meltzer and Ben Hecht (uncredited), based on the 1949 novel “The Man with the Golden Arm” by Nelson Algren, starring Frank Sinatra as Frankie “Dealer” Machine, Eleanor Parker as Zosh, Kim Novak as Molly Novotny, Arnold Stang as Sparrow, Darren McGavin as “Nifty Louie” Fomorowski, Robert Strauss as Zero Schwiefka, John Conte as Drunkie John, Doro Merande as Vi, George E. Stone as Sam Markette, George Mathews as Williams, Leonid Kinskey as Dominowski, Emile Meyer as Captain Bednar, Chicago Police Department, Shorty Rogers as himself (bandleader at audition) and Shelly Manne as himself (drummer at audition)

Source: “The Man with the Golden Arm” Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc.. 18 November 2016. Web. 24 December 2016. https://en.wikipedia.org/wiki/The_Man_with_the_Golden_Arm

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11 Replies to “The Man With the Golden Arm (1955) [Drama] [Romance]”

  1. This film really changed things. This was the straw that broke the camel's back regarding film censorship and led to the adoption of the much looser system or censorship that we saw back In the 1960s which in turn paved the way for today's even looser censorship.

    This film was also one of the firsts to have a genuinely artistic poster and intro, which led others to see posters (and opening animations!) as more than just tools – this was the push that got them to be considered artworks themselves.

    in short, a very influential film. Thank you for posting.

  2. Sinatra said he was allowed to watch a junkie coming down cold and based his performance on it. He said it was horrible to see. Frank thought it was his best role…Xlint film…

  3. Great movie!! So glad there's people around there who appreciate and love these classics. Time for some porcorns 'cause I'm watching it again this afternoon

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